Diptychs, triptychs, polyptychs, text blocks, Vimeo/YouTube videos.
Your portfolio is your museum, not a standardized grid. No algorithm decides for you.
The art of assemblage
Assembling photos, texts, paintings, graphic design is nothing new. But piling up media without real thought isn't enough to make a work. It doesn't impact anything or anyone. The difference between a pseudo collage and a striking creation comes down to one word: composition. The invisible art of placing what belongs together, of creating tension between two images, of letting silence emerge from an empty block. On most portfolio platforms, you get one column, one grid, one format. Your images scroll endlessly, identical, interchangeable. On Granit, you are the stage director. You compose.
Diptychs, triptychs, polyptychs — the building blocks of visual narrative. Two images side by side that create a dialogue. Three that tell a story. Four or more that build a rhythm. Text blocks to contextualize, explain, whisper. Embedded Vimeo or YouTube videos at the very heart of your pages.
Each page is a tableau. Each composition is a deliberate choice. Because your portfolio isn't a scrolling feed — it's your museum.